Such a widening gulf between what was and what is represented isn't exclusive to the Holocaust. But, as Levi writes, the error is in assimilating these passed-down retellings into our own experience, “as if the hunger in Auschwitz were the same as that of someone who has skipped a meal.” Yet that desire to relate is precisely what drives much of the popular culture created about the Holocaust, where readers and viewers are asked to step into the shoes of characters whose tragedy we’ll experience as our own to thus better empathize and understand their plight (often, that character happens to be a noble gentile savior of unfortunate Jews). Laughter and comedy, which work to disrupt such neat one-to-one correspondence, rarely have any place here: “We can never laugh at this” because to do so would mean to leave the comfort of the knee-jerk reaction we’ve been instructed to have. Giacchino, Michael (October 18, 2019). "Jojo Rabbit (Original Score)". Hollywood Records; Fox Music. Archived from the original on June 23, 2020 . Retrieved February 15, 2021– via Apple Music. Mason, Sarah E. (December 31, 2019). "Scoring Jojo Rabbit: Interview with Oscar Winning Composer, Michael Giacchino". hmcnetwork . Retrieved March 16, 2022. Rubeo thought of Rosie's character as open: "She represents [...] life, [and] she doesn't want to hide [that]." [11] Rubeo started by scouring vintage Italian houses for Rosie's wardrobe, though she also created several blouses and dresses by herself. She wanted Rosie's clothing to be distinctive so it would resonate with the audience throughout the film and assist them in the scene where Rosie is found hanged. [2] :21 Concerning that specific scene, Rubeo chose a pair of single lace-up red and white spectator shoes made by the Toronto shoemaker Jitterbug, based on a sketch she made. Imagining Rosie as "the friend of Elsa Schiaparelli", Rubeo flew to New York City, where she discussed the costume with actor Johansson. Rosie's short-sleeved sweater was characterized by "plaid and zigzag Missoni-style patterns". She was completed with high-waist baggy pants and several other accessories, offering her character a "chic" look. [44] This is in stark contrast to Elsa's clothing palette which, being a confined character, was made monochromatic. [45]

a b c d e Salisbury, Mark (January 3, 2021). "How Taika Waititi made 'Jojo Rabbit': "He didn't wait for anyone to give him permission" ". Screen Daily. Archived from the original on September 25, 2020 . Retrieved March 18, 2021. Klezendorf, however, strips Jojo’s coat from him and accuses him of being a Jew, so he can escape and live a normal life with Elsa.Jojo Rabbit". Searchlight Pictures. Archived from the original on September 14, 2019 . Retrieved February 17, 2021. Disney reveals streaming expansion Star's launch date, pricing and movie and TV titles". NewsComAu. January 28, 2021. Archived from the original on February 16, 2021 . Retrieved February 15, 2021. Uhlich, Keith (September 9, 2019). "Marvel Presents Mein Kampf". Slant Magazine. Archived from the original on November 17, 2019 . Retrieved October 22, 2019. Waititi, Taika (October 16, 2019). "Taika Waititi on Satirizing Hitler in 'Jojo Rabbit': "Comedy Is a Very Important Weapon Against Bigotry" ". The Hollywood Reporter (Interview). Interviewed by Chuba, Kirsten. MRC. Archived from the original on March 2, 2021 . Retrieved March 11, 2021.

Pelletier, Lee (August 6, 2019). " "Caging Skies" Author Talks WWII, Hitler Youth and Upcoming Film "Jojo Rabbit" - BookTrib Christine Leunens Caging Skies Jojo Rabbit". BookTrib. Archived from the original on August 7, 2019 . Retrieved September 21, 2019. At first, we enjoyed the book, which is well written. Then, gradually, it seemed to part company entirely with the movie storyline and go into darker realms than I felt willing to go. I discovered I was tuning out the narrator in an effort to avoid feeling down and considered quitting. However, we really wanted to finish the book, so, we agreed to limiting our listening to a half hour per day, which turned out to be a good arrangement and we were able to make it to the finish line.Jojo Rabbit with Michael Giacchino". The Society of Composers and Lyricists. November 4, 2019 . Retrieved March 16, 2022. Ai-Ling Lee was the film's sound editor, designer, and mixer. With the digital audio workstation (DAW) Pro Tools, she used "subliminal sonic enhancements" to strengthen the sense that the film was portraying Jojo's point of view. In an interview with Variety, she referenced a scene in Jojo's kitchen where Waititi wanted to evoke the sound of Adolf rallying. To increase the tension in the scene, she added reverb to Adolf's dialogue. [58] Accompanying Lee as sound editor was Tobias Poppe. [59] Paul Apelgren was the film's music editor. [60] Steve Baine of Foley One was the Foley artist, with Peter Persaud and Gina Wark mixing and assisting with the Foley, respectively. [61] Bob Industries was credited for post-production services. [2] :44 Leon, Melissa (October 21, 2019). "Taika Waititi Defends His Feel-Good Nazi Satire 'Jojo Rabbit': 'It's Not a History Lesson' ". The Daily Beast. IAC. Archived from the original on October 27, 2020 . Retrieved August 23, 2020. a b Grobar, Matt (December 18, 2019). " 'Jojo Rabbit' Production Designer Ra Vincent On Crafting Stylish, Baroque Home For Unconventional World War II Film". Deadline Hollywood. Archived from the original on October 6, 2020 . Retrieved February 15, 2021. Jojo Rabbit is also effective at doing what Waititi presumably set out to do: make people think critically about what it is that informs our beliefs. And, you know, laugh while we do it.

Couch, Aaron (July 30, 2019). "Taika Waititi's 'Jojo Rabbit' to Premiere at Fantastic Fest". The Hollywood Reporter. Archived from the original on July 30, 2019 . Retrieved July 30, 2019. a b Tangcay, Jazz (January 31, 2020). "Mayes C. Rubeo on Storytelling Through Costume Design". Variety. Archived from the original on August 20, 2020 . Retrieved February 16, 2021. a b MIchael, Tony S.L. (October 1, 2019). "Jo Jo Rabbit". Journal of Religion and Film. Omaha: University of Nebraska Omaha. 23 (2). Archived from the original on July 3, 2021 . Retrieved July 2, 2021– via ProQuest. Alfar, Paolo (January 20, 2020). "Jojo Rabbit: 8 Real Historical Connections It Makes To World War II (& 2 Made Exclusively For The Movie)". Screen Rant. Archived from the original on January 25, 2020 . Retrieved February 19, 2021.Jojo Rabbit". Art of the Title. Archived from the original on August 8, 2020 . Retrieved March 27, 2021.