As Ruth becomes further embroiled in the case, she must decide where her loyalties lie - a choice that her very survival depends on. The dialogues and thoughts of the characters are repetitive, the characters are boring and selfish, the relationships between them shallow and the situations most of the time ridiculous! Soon Ruth finds a new neighbor from the Aboriginal part of Australia. Bob belongs to a group called the Elginists who zealously oppose the transference of their ancestors bones which were taken without their knowledge from their homeland. I thought the parts about Michelle's reaction to Harry's affair where realistic and sad, it's obvious they both care a lot for each other but perhaps they married too young and have little in common. I'm glad that Harry is going to see Kate now, not seeing her felt very sad. It's great Ruth has someone in her life but I fear for people getting hurt here too.

The coffin is definitely a health and safety hazard. It fills the entrance hall, impeding the view of the stuffed Auk, a map of King’s Lynn in the 1800s and a rather dirty oil painting of Lord Percival Smith, the founder of the museum. The coffin’s wooden sides are swollen and rotten and look likely to disgorge their contents in a singularly gruesome manner. Any visitors would find its presence unhelpful, not to say distressing. But today, as on most days, there are no visitors to the Smith Museum. The curator, Neil Topham, stands alone at the far end of the hall looking rather helplessly at the ominously shaped box on the floor. The two policemen who have carried it this far look disinclined to go further. They stand, sweating and mutinous in their protective clothing, under the dusty chandelier donated by Lady Caroline Smith (1884–1960). A Room Full of Bones also develops ongoing character storylines and relationships, including that between Ruth and DI Nelson, who is the father of her one-year-old daughter, Kate. Nelson's wife, Michelle having become aware of this fact in the closing lines of the previous book has created inevitable complications in Ruth and Harry’s professional and personal relationship. Meanwhile, Cathbad’s covert love affair with married DS Judy Johnson also comes to Ruth's attention for the first time and revelations towards the end of the book indicate fraught times ahead for this couple also. I'm always pleased to hear that another Elly Griffiths novel is on its way and no less this time. The mystery was a little different in this outing, with Ruth, the forensic archaeologist, more removed from the central action than in prior books. But she is very involved with the central characters and these novels are as much about the characters as the mystery.

I love encountering new words and this book presented me with "murmuration," which is defined as "the phenomenon that results when hundreds, sometimes thousands, of starlings fly in swooping, intricately coordinated patterns through the sky." Beautiful!

Nelson is a tough working-class northern guy, and blah blah blah. We get that too, we heard it all before (about three times in three other books, in fact) with exactly the same words you used in this book. If you can't find an original way to give information on your characters to potential new readers, maybe you should try something else, like, I don't know, writing something that ISN'T a series of books with the same characters? Neil doesn’t know if they are joking or not. Do policemen have unions? But he stands aside as the two men shoulder their burden again and carry it, watched by myriad glass eyes, through the Natural History Room and into a smaller room decorated with a mural of Norfolk Through The Ages. There is a trestle table waiting in the centre of the room and, on this, the policemen lower the coffin. The curator was a drug dealer and a group demanding the return of the remains of Indigenous Australians, taken be force to England in Victorian times, for proper burials could also be involved. Percival, Lord Smith 1830 - 1902,adventurer and taxidermist. Most of the exhibits in this museum were acquired by Lord Smith in the course of a fascinating life. Lord Smith's love of the natural world is shown in his magnificent collection of animals and birds, most of which he shot and stuffed himself. Ruth Galloway is a remarkable, delightful character...A must-read for fans of crime and mystery fiction." -- Associated Press

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This book had so many different scenarios and plot lines going on that I marveled that Griffiths was able to tie them up so seamlessly at the end. She has a gift for that. I love that she faces dilemmas and is human and fallible when making her choices. She gets tired, and grumpy, and irritable. She occasionally says things she later regrets. She 'believes' she is being a good mother by eating the chocolates from her daughter's advent calendar, thereby saving Kate's teeth. Sounds like something I would do! But Phil is away at a conference so it’s Ruth who is to be present at the grand opening of the coffin. It’s the sort of thing she would normally avoid like the plague. She dislikes appearing in public and she feels distinctly queasy about opening a coffin live on Prime Time TV (well, Look East anyhow). ‘Beware of disturbing the dead,’ that’s what Erik used to say. Erik Anderssen, Erik the Viking, Ruth’s tutor at university and for many years afterwards her mentor and role model. Now her feelings about Erik are rather more complicated, but that doesn’t stop his voice popping into her head at alarmingly regular intervals. Of course, disturbing the dead is an occupational hazard for archaeologists, but Ruth makes sure that no matter how long-dead the bones are, she always treats them with respect. For one nightmarish summer she excavated war graves in Bosnia, places where the bodies, sometimes killed only months earlier, were flung into pits to fester in the sun. She has dug up the bones of a girl who died over two thousand years ago, an Iron Age girl whose perfectly preserved arm still wore its bracelet of dried grass. She has found Roman bodies buried under walls, offerings to Janus, the two-faced God, and she has unearthed the bones of soldiers killed only seventy years ago. But she never lets herself forget that she is dealing with people who once lived and were once loved. Ruth doesn’t believe in an afterlife which, in her opinion, is all the more reason to treat human relics with respect. They are all we have left. Rich in atmosphere and history and blessed by [Griffith's] continuing development of brilliant, feisty, independent Ruth...A Room Full of Bones, like its predecessors, works its magic on the reader's imagination." -- Richmond Times-Dispatch When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum’s curator lying dead on the floor. Soon after, the museum’s wealthy owner is also found dead, in his stables.