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Although the Sigma has a different finish to Fujifilm bodies and lenses that I’m used to, it still feels and looks good on the camera. And it’s small, measuring only 60mm (length) x 67mm (diameter) and looks balanced when the lens hood is fitted. As you’d expect for its size, it’s also light – weighing in at a featherweight 280g. Sigma 56mm f1.4 Fujifilm X Mount What I particularly love about this lens is how light, and compact it is considering this is an 85mm equivalent with a large f1.4 maximum aperture. The 56mm f1.4 weighs just 9.9 oz / 280 and the dimensions are 2.6 x 2.4″ / 66.5 x 59.8 mm. It also uses a 55mm filter. These specs make this lens feel more like a normal lens like a 50mm or even a 35mm equivalent rather than a short tele. To compare, the Fujifilm version, the 56mm f1.2 R WR lens, weighs 15.7 oz / 445 with dimensions being 3.1 x 3″ / 79.4 x 76 mm. It used a 67mm filter. As you can see, there is a big difference in overall size here. A study of our Image Engineering Tests reveals the lens is sharper in the centre than at the edge throughout the aperture range. Centre sharpness (shown by the solid red line) improves considerably by stopping it down from its maximum aperture to f/2 and peaks between f/2.8 and f/4. Corner sharpness (shown by the dotted red line) doesn’t reach the same level as centre sharpness, but does steadily improve from f/1.4 to f/5.6. For the best edge-to-edge sharpness it should be used around f/5.6-f/6.3. Diffraction has the affect of softening images at f/16. Shading
The 56mm f1.4 is the longest of the trio and gives you an equivalent focal length of 84mm, making it particularly ideal for portrait photography. If you’re a DX user, then the nearest you’ll get to this focal length from a proprietary prime lens is the Nikkor DX 24mm f/1.7 lens, or, you might instead use something like the Nikkor Z DX 50-250mm f/4.5-6.3 VR lens or the Nikkor Z DX 18-140mm f/3.5-6.3 VR lens. Alternatively, you might consider mounting the Nikkor 50mm f/1.8 S lens, which would give you an equivalent of 75mm on your APS-C camera, but will cost you a little bit more, and is quite a lot larger than the Sigma 56mm lens. Tamron – Need lightweight, compact mirrorless lenses? Tamron has you covered, with superior optics perfect for any situation. With weather sealing and advanced image stabilization, you’ll open up your creative possibilities.
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The lens benefits from an open aperture of F1.4 to achieve a sufficient amount of bokeh and admirable brightness even with APS-C size cameras which tend to have smaller bokeh effects compared to 35mm full-size systems. Its compact and lightweight body is perfect for daily use, capable of capturing various scenes ranging from portraits to snapshots, as well as night view. The X-mount version of the lens measures 72.2mm (2.8”) in diameter, 92.6mm (3.6”) long and weighs 405g (14.3oz). 30mm F1.4 DC DN | C It can be tempting to go for a third-party lens because it’s cheaper. But sometimes, it’s not always the better bet. A good friend of mine recently bought the Tokina 56mm for Fujifilm. He loves it, and that’s fine. It’s super affordable and he’s getting great photos with it shooting comedy shows in NYC. He brought it with him the last time we met up. I set it to continuous autofocus, and the lens couldn’t focus at all. It only worked in single autofocus. There’s also no full weather sealing, which is fine for him. But in the long run, he might see differently.
I would love to see Sigma include features like a focus hold button or an auto/manual focus ring but I appreciate that eliminating them likely keeps the cost of the lens to a minimum. The Sigma 56mm f1.4 DC DN is an excellent choice for your Fujifilm camera. It’s smaller, lighter and cheaper than the equivalent Fujifilm XF56mm F1.2 R WR. It’s a great alternative if you’re on a budget or not a hardcore Fujifilm fanboy. The Sigma 56mm f1.4 DC DN churns out sharp pictures, has a wide aperture and is a bargain compared to the Fujifilm XF56mm. Before we start, below are some pros and cons of the Sigma 56mm. You’ll notice the cons section is short – there isn’t much to complain about with this lens. The Sigma 30mm F1.4 DC DN lens for Fujifilm X-mount is constructed of nine elements in seven groups, including two aspherical elements. It features a nine-blade aperture diaphragm, offers a minimum focusing distance of 30cm (11.8"), has an aperture range of F1.4 through F16 and uses a 52mm front filter thread.At the point of writing this Sigma 56mm review, I’ve used it for some travel photography in Bridgnorth and at Blists Hill Victorian Town, a wedding, the National Memorial Arboretum and for taking some pictures of our cats for this review. So, how does it perform as a travel photographer’s lens? Read on to learn more about the Sigma 56mm f1.4 for Fujifilm! We run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations. This is the second Sigma lens I've had the opportunity to test out and for the four weeks, I never removed it from the Fuji X-T5, opting simply to see if it performed well in every situation it was presented with. It was great in low light thanks to the f/1.4 aperture and even in bright sunlight, it didn't suffer from lens flare. Build Quality Naturally, it’s not all about sharpness. When using a wide aperture to gain a tight depth of field, the bokeh, or quality of defocused areas, can be equally important. The Sigma excels here again, with a wonderfully soft bokeh and a nicely smooth transition between focused and defocused areas. An added bonus is that there’s extremely little axial chromatic aberration, even when shooting wide-open. In this respect, it performs rather better than the Sigma 30mm f/1.4 Contemporary lens.
Sharpness remains excellent all the way through to f/11, but drops off at f/16 due to diffraction (Image credit: Matthew Richards)
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The images of this lens are too sharp, lower in contrast, with little micro-contrast and low in vibrancy and saturation. Both colours and contrast do improve when stopping down to f2 or f2.8, but were never good enough to satisfy my wants. To me, the colours that a lens produces are incredibly important to me and I’m stunned every time I use my Fujifilm 23mm f2 lens on how much contrast that lens has and how punchy and lovely the colours are. Some of the new Voigtlander lenses also have amazing colour that I am just lusting over. They regularly make me consider adopting the Sony system as well, just so I can use that lovely Voigtlander 40mm f1.2 for instance or the unusual 50mm f3.5 or the 65mm f2! They’re such creamy and unique lenses! The mount features a special sealing to make the lens an excellent choice in a wide variety of conditions. Like the 16mm and 30mm before it, the 56mm sports a bright f1.4 focal ratio which can achieve shallow depth-of-field effects, especially with its longer focal length. The dust and splash-proof design features a rubber sealing at the mount and the lens is supplied with a circular hood. The barrel measures 60mm in length, 67mm in maximum diameter, weighs 280g and employs a 55mm filter thread. The optical design uses 10 elements in six groups, has nine rounded aperture blades and a closest focusing distance of 50cm. There’s no optical stabilisation, but many of the bodies it’ll be mounted on feature body-based stabilisation of their own.
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