POP UP PARADE Rei Ayanami: Long Hair Ver. (Rebuild of Evangelion)

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Hideaki Anno (2 November 2000). "Essay". Gainax.co.jp (in Japanese). Gainax. Archived from the original on 20 February 2007 . Retrieved 5 July 2014. Animentalism.com (in Japanese). Animentalist. 12 January 2021. Archived from the original on 15 April 2021 . Retrieved 15 April 2021. Porori, Syunsou (2010). The Essential Evangelion Chronicle: Side B (in French). Glénat Editions. ISBN 978-2-7234-7121-3. According to Japanese scholar Hiroki Azuma, this output is not linked to a direct Evangelion influence, since "the emergence of Ayanami Rei did not influence many authors so much as change the rules of the moe-elements sustaining otaku culture". [264] As a result, even authors who were not deliberately thinking of Evangelion began to produce characters resembling Rei, using newly registered moe-elements, such as a quiet personality, blue hair, white skin, mysterious power and an absence of emotions. [122] [264] For Azuma, moreover, the twenty-sixth episode, in which an alternative reality with Rei running with a slice of bread in her mouth is shown, constitutes a turning point within the otaku culture. The scene, according to him, represents the point where the era of great stories ends and that of moe characters begins; from that point on, therefore, the emotional response to the protagonists would become more important than the plot of the series. [265] He also regarded Ruriko Tsukishima from Shizuku as being directly influenced by Rei, and Ruri Hoshino of Martian Successor Nadesico as a combination of both. [266] [267]

Rei Ayanami 1/7 Scale Figure - Tokyo Radio Eva [Evangelion] Rei Ayanami 1/7 Scale Figure - Tokyo

February 2019). "手遊《仙境傳說》與《福音戰士》合作 碇真嗣、綾波零全出列" (in Traditional Chinese). ETtoday遊戲雲. Archived from the original on 25 September 2020 . Retrieved 13 October 2020. a b "Anime Fandom: Dealing In The Grey Areas". GameAxis Unwired. No.49. SPH Magazines. October 2007. p.80. ISSN 0219-872X.

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Megumi Hayashibara as Rei Ayanami (tentative name)/Rei Ayanami". Evangelion 3.0+1.0 Theatrical Pamphlet (in Japanese). Japan. 2021. pp.22–24. ASIN B08Y85RJ9Q. {{ cite book}}: CS1 maint: location missing publisher ( link) Johnson, Allyson (8 September 2021). "Evangelion 3.0+1.0 Thrice Upon a Time review: The iconic series from Hideaki Anno ends with tears, atonement, forgiveness, and hope". THeyoungfolks.com. The Young Fols. Archived from the original on 4 November 2021 . Retrieved 27 November 2021. After 33 years, Hello Kitty’s voice actress, the legendary Hayashibara Megumi, is being replaced 3 views Robert Hutton (5 September 2021). "How Neon Genesis Evangelion Changed Anime Forever". Screen Rant. Archived from the original on 19 December 2021 . Retrieved 2 November 2021.

Rei Ayanami - Wikipedia Rei Ayanami - Wikipedia

Rei-chan is very popular. I think that she's very quiet and doesn't wish to talk very much, and doesn't complain. In Japan, I suppose that girls like that are very much desired. [...] She was created solely for the purpose of being an Eva's pilot and I'm not quite sure if she's happy.

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a b Ghilardi, Marcello (2010). Filosofia nei manga: Estetica e immaginario nel Giappone contemporaneo (in Italian). Mimesis Edizioni. pp.119–120. ISBN 978-88-5750-237-3. March 2019). "《神域召喚》x《新世紀福音戰士》合作再臨，和少年少女們拯救世界" (in Traditional Chinese). 4Gamers 官方網站. Archived from the original on 25 September 2020 . Retrieved 13 October 2020. Yoshiyuki Sadamoto (31 March 2011). 新世紀エヴァンゲリオン 公式ガイドブック (in Japanese). Kadokawa Shoten. pp.90–91. ISBN 978-4-04-715671-5. Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2009). Evangelion: 2.0 You Can (Not) Advance ( Film). Studio Khara. Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2007). Evangelion: 1.0 You Are (Not) Alone ( Film). Studio Khara.