Joined in 2023 
82 
63 About this deal
Acteon: Some think the Romans may have seen images of Cernunnos as the Greek character Acteon. After offending Artemis, this skilled hunter was turned into a stag and hunted down by his own dogs. There are no surviving myths that directly refer to Cernunnos. There is no grand hero’s tale or tragedy to be found. What is known of the fertility god is largely implied, or are modern interpretations within Neo-Paganism. Cernunnos, the Seasons, and Sacrificial Death Cernunnos is a deity from Celtic mythology, known for his association with fertility, animals, wealth, and the underworld. The name Cernunnos is derived from the Gaulish word “karnon,” which means “horn” or “antler.” The word “karnon” is cognate with Latin “cornu” and Germanic “*hurnaz,” ultimately from Proto-Indo-European “*k̑r̥no-.” The etymon “karn-” appears in both Gaulish and Galatian branches of Continental Celtic. Cernunnos is a powerful deity in Celtic mythology, often depicted as the “lord of wild things.” He is associated with nature, fertility, and the cycle of life, death, and rebirth. He is also known as the “Horned One,” and is often depicted with antlers or horns. What symbols are associated with Cernunnos? The name Cernunnos, therefore, seems to refer to the god’s imagery. His name is usually translated simply as “The Horned One.”
Similarly, the depictions of an antlered god can be found elsewhere in the Celtic wo In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos is a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins (or grain) and a cornucopia. [1] He is believed to have originally been a Proto- Celtic God. There are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul. In the SCP Foundation, Cernunnos class objects are objects which "can be functionally contained, but the Foundation cannot achieve this for logistical and/or ethical reasons." [40] Cernunnos was widely worshipped as the “lord of wild things” in Celtic religion, and his attributes were generally consistent across different parts of the Celtic world. However, some Germanic regions also had their own versions of Cernunnos, such as Herne the Hunter in English folklore and the Wild Hunt in Germanic mythology. These versions of Cernunnos were often associated with hunting, the wilderness, and the supernatural. Luxembourg
This may be why the shipmakers of Paris included Cernunnos on their pillar. Their ships allowed for the trade that brought gold and other valuables to Gaul from around the known world, making the god of wealth one of their most important deities. A Possible Irish Link Lugh: the god of the sun and light, who was associated with skill and craftsmanship. The festival of Lughnasadh is named after him. Cernunnos was also closely connected to the Germanic Wotan, a variant of the Norse god Odin. Wotan was the leader of the wild hunt, a horned god who lead spirits on hunts for powerful warriors and the spirits of the dead. Wotan was also closely related to animals, and in some cases even served as their lord. It is unclear if these similarities to Cernunnos are intentional, or simply mere coincidence. Epona is a Celtic goddess who is often associated with horses. She is sometimes depicted riding a horse and is considered a protector of horses and horsemen. Epona is also associated with fertility and is sometimes depicted holding a cornucopia. Sirona
Other examples of Cernunnos imagery include a petroglyph in Val Camonica in Cisalpine Gaul. [9] [25] The antlered human figure has been dated as early as the 7th century BCE or as late as the 4th. [25] Two goddesses with antlers appear at Besançon and Clermont-Ferrand, France. An antlered god appears on a relief in Cirencester, Britain dated to Roman times and appears depicted on a coin from Petersfield, Hampshire. [9] An antlered child appears on a relief from Vendeuvres, flanked by serpents and holding a purse and a torc. [26] The best known image appears on the Gundestrup cauldron found on Jutland, dating to the 1st century BCE, thought to depict Celtic subject matter though usually regarded as of Thracian workmanship. Cernunnos was a god of the wild who ruled over pristine nature and uncivilized ways. Animals were his subjects, and free-growing fruits and vegetable his bounty. Classical depictions of the deity included gatherings of animals such as elk, wolves, snakes, and aurochs. Such gatherings were possible thanks to Cernunnos’ abillity to bring natural enemies into peaceful communion with one another. This ability may have cast Cernunnos as a protector and provider amongst rural tribes and hunters. Most historians now believe, therefore, that Cernunnos was likely not the name of a god. Instead, it was a title.Alisontea” likely refers to a place in Alesia, a region of Gaul. The inscription implies that Carnonos was a local god, or at least a local variation of a god. Celtic horned god The Cernunnos-type antlered figure or horned god, on the Gundestrup Cauldron, on display, at the National Museum of Denmark in Copenhagen Cernunnos the male horned god of the Iron age Celts. He is the Gaulish version of the Pan-Celtic “Horned God. ” In Welsh mythology he is the Consort of the Great Goddess and god of the Underworld, nature, virility, fertility, animals, sex, reincarnation and shamanism. Perennial – A Free Bite-Sized Horror Game Worth Playing". The Daily SPUF. 7 September 2021 . Retrieved 18 June 2023. Besides the mysterious Green Man, Cernunnos has further been equated with the Germanic Wotan, the inspiration behind the Norse god Odin. Much like Odin, Wotan and Cernunnos are all horned deities or at least have been depicted with horns in the past. The only outlier is that Cernunnos isn’t really the supreme god of the Irish pantheon. That’s actually the Dagda! Odin in the guise of a wanderer by Georg von Rosen Who is the Green Man?
The band Faith and the Muse recorded a song from the deity’s perspective called “ Cernunnos.” Elsewhere, singer Monica Richards included a song about Cerunnos on her first solo album, entitled “ The Antler King”; Cernunnos, the Celtic god of fertility and the wild, has been associated with various interpretations in modern times. One of the most popular interpretations is that of Cernunnos being the god of the witches. This interpretation is based on the theories of Margaret Murray, a British anthropologist who claimed that Cernunnos was the god worshipped by witches during the medieval period. Then there is the horned serpent that seems to tag along wherever Cernunnos goes. A popular figure throughout many different cultures, the horned serpent usually has to do with a sky or storm god. Since Cernunnos is likely neither, the snake possibly has to do more with his chthonic nature. An illustration of the Green Knight by N. C. Wyeth What are Myths Involving Cernunnos?
They do this by looking at evidence from art, artifacts, and what other cultures had to say. They compare unknown figures to more familiar characters to find similarities and possible links. In modern Wiccan, Druidism, and Neo-Pagan practices, Cernunnos has been closely associated with oaks; offerings are nearly all naturally occurring items. On that note, there are no exact instructions for how to worship Cernunnos and what are considered appropriate sacrifices. Are Cernunnos and the Green Man the Same? Some see the qualities of Cernunnos subsumed into the life of Saint Ciarán of Saighir, one of the Twelve Apostles of Ireland. When he was building his first tiny cell, as his hagiography goes, his first disciple and monk was a boar that had been rendered gentle by God. This was followed by a fox, a badger, a wolf and a stag. [35] Neopaganism and Wicca [ edit ] This is an incredibly exciting discovery, which to me represents more than just the deity, Cernunnos. It almost seems like the enigmatic ‘face’ of the people living in the landscape some 2,000 years ago. The artifact is Roman in origin but symbolizes a Celtic deity and therefore exemplifies the continuation of indigenous religious and cultural symbolism in Romanised societies. A title would have likely remained much more consistent across Celtic tribes than a proper name because their dialects remained very closely related. “The Horned One” would be an epithet that would have only subtle changes to vowel sounds or case endings, whereas a proper name could change much more.
The horned god, likely an archetype of close-related gods instead of a singular deity, seems to have been an important figure in Celtic religion. While he is pictured often, however, neither Roman sources nor those of later Germanic and Celtic cultures ever elaborated on this widespread image. Horned gods were a popular image in world mythology, as many shamanic cultures used sympathetic magic to appear as the animal whose attributes they wish to take. When shamans wished to take on the attributes of a deer and elk, they would wear the animal’s fur and antlers. Cernunnos was a particularly mysterious deity. His name appeared only once in historical sources, and none of his tales have survived from antiquity. Modern scholars and neopagans have nevertheless attributed a number of tales to the horned god. Historical Cernunnos Little is known of Cernunnos, for almost nothing was written about him. He was a god of wild places, and often appeared as a bearded man with antlers. Some scholars believed his name and characteristics originally belonged to a number of horned gods that were then mixed together. Others have suggested Cernunnos’ traits were taken from Greco-Roman deities of similar appearance. In any case, it is best to remember that these gods were not necessarily the same entity, but instead emerged from similar cultural origins.Similarly, Cernunnos may have been a fertility god or god of life. In some classical societies, the natural world was the origin of all life. Under this schema, the god of the wilds would also have served as a god of life, creation, and fertility. Depictions Both the legendary folk hero Cu Chulainn and his foster brother Conall Cernach have been identified as having possibly been descended from the horned god archetype. On the Pillar, Cernunnos is shown to be sitting cross-legged. He is a balding, bearded man. If one looks close enough, he appears to have the ears of a deer. As usual, he is wearing stag’s antlers from which two torques hang. Gundestrap Cauldron
Great Deal 
New Comment