Oor Wullie & The Broons Giftbook 2023: Oot an' Aboot

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Oor Wullie & The Broons Giftbook 2023: Oot an' Aboot

Oor Wullie & The Broons Giftbook 2023: Oot an' Aboot

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Since its inception, The Broons have had their own biennial, alternating each year with Oor Wullie. No annuals were published during 1943 and 1944 due to paper rationing in World War II, but jigsaws were created instead. Following the 80th anniversary in 2016, an additional annual of The Broons was issued for 2017, breaking from the biennial pattern. This section may contain an excessive amount of intricate detail that may interest only a particular audience. Please help by spinning off or relocating any relevant information, and removing excessive detail that may be against Wikipedia's inclusion policy. ( February 2019) ( Learn how and when to remove this template message)

Created by writer/editor R. D. Low and artist Dudley D. Watkins, the strip made its first appearance in the issue dated 8 March 1936. [1] The younger children are Horace, who is the brains of the family, and the Twins (identical boys) plus the Bairn, a cut down version of Maw and wiser than her years. Last, but by no means least, is the roguish Granpaw Broon. Granpaw and the Bairn form a formidable partnership that can usually outsmart the other members of the family. As with Oor Wullie, Watkins left the location of the strips unnamed, although the Broons' tenement is located on Glebe Street, a commonly used name in many Scottish towns. However, as originally written, Watkins' use of words and phrases more commonly associated with the east coast of Scotland, such as bairn for child, as opposed to the west-central wean, [2] suggests he was using his own immediate environment. (He lived in Broughty Ferry). [3] He worked in Dundee and the Broons' dialect is mainly Dundonian. Since the 1990s, however, The Broons has been set in the fictional town of Auchenshoogle. Watkins drew the strip from his Broughty Ferry home until his death in 1969. For five years after Watkins' death, D. C. Thomson recycled old strips in the newspaper and annuals, fearing no adequate replacement could be found to match Watkins' unique style. In these repeated strips, some particularly Scots words were replaced (e.g., 'ahint' became 'behind') and the pre-decimal coinage was updated. Mike Donaldson is the current artist, succeeding Peter Davidson. BBC Radio Scotland presenter Tom Morton was the scriptwriter until 2006 when Dave Donaldson took over. Morris Heggie, former editor of The Dandy is the current writer. In the Sunday Post’s The Broons strip, the family is billed as being ‘the happy family that makes every family happy’ and this phrase sums them up perfectly. Though they are ten in number, the family enjoys staying together in the small tenement flat of 10 Glebe Street, Auchentogle.Horace Broon – A bookish and bespectacled teenage schoolboy forever trying to learn French or poetry by rote amidst the chaos of a do-it-yourself chimney-sweeping mishap or other domestic turmoil. He is quite pompous and likes to think of himself as an example to the twins, but recently seems to aspire to be like Joe (for example, purchasing muscle-building equipment). However, he is nowhere near as popular with girls as Joe. Horace is seen as a young teenager in the early years of secondary school. However, during the 1990s, his appearance was that of someone slightly older. Find sources: "The Broons"– news · newspapers · books · scholar · JSTOR ( June 2010) ( Learn how and when to remove this template message)

Maggie (Margaret) Broon – The beautiful, glamorous daughter with blonde hair and fashionable clothing. She has a steady stream of beaux and is bitterly envied by the drab Daphne. In the later editions, Maggie became a model, and a weather girl. Despite their rivalry over men, Daphne and Maggie share a close bond and Maggie even stands up for Daphne when she is taunted; notably in one strip, she flirted with a man in a bar and threw the drink he had bought her over him as revenge for his hurtful comments toward Daphne. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Multibuys

The Broons were portrayed in a sketch on the BBC Scotland comedy show Naked Video. Tony Roper was cast as Paw, Gregor Fisher played Maw, Elaine C. Smith portrayed the Bairn, Jonathan Watson appeared as Joe, and Louise Beattie appeared as Horace, with the other family members (and Oor Wullie) mentioned in passing. The sketch revolved around Paw's naivety in the modern world and his inability to move with the times, not even realising that his entire offspring are the product of an affair Maw was having with a farmer. The Broons ( English: The Browns) is a comic strip in Scots published in the weekly Scottish newspaper The Sunday Post. It features a Brown family, which lives in a tenement flat at 10 Glebe Street (since the late 1990s) in the fictional Scottish town of Auchentogle or Auchenshoogle. Most of the humour derives from the timeless themes of the "generation gap," stretching the money as far as possible, and the constant struggle for each family member to live in a very small flat with the other nine Broons. In the end, the family always support one another, getting through life with a gentle good humour as they argue amongst themselves.

Early strips written in the 1930s featured less dialogue and the pictures told the story. This was more common in Oor Wullie strips. However, occasional Broons strips did this too. First published in The Sunday Post in 1936, Oor Wullie truly is Scotland's favourite son. The Oor Wullie Book is a bi-annual Christmas tradition loved by kids, parents and grandparents. Join Wullie in his most recent comic strip capers in this year's must-have comic book collection.The family is made up of Paw and Maw Broon who are parents to eight children! Maw is the homemaker in charge of all household affairs. The Broons family features two older sons, Hen and Joe, and two grown-up daughters, Daphne and Maggie.



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